Die schöne Müllerin and The Alehouse Sessions at Middle Temple Hall, Thursday 18 November
Reviewed by Claire Seymour of Opera Today
In the 1980s, ‘authenticity’ was a buzzword in music research and performance; by the 1990s it was considered bothersome; nowadays it’s pretty much banished – a bygone concept of how we might approach the performance of music of bygone days.
But, if abstract academic debates about theory and practice run the risk of ‘domesticating’ music – putting it in a safe ‘drawer and bringing it out from time to time for close scholarly scrutiny – then this performance by director-singer Tom Guthrie and Barokksolistene (aka The Alehouse Boys) at Middle Temple Hall offered an authenticity of ‘experience’ that dragged music out of its box and back into the wild.